lunes, 18 de junio de 2007


THE ADVANTAGES OF BEING A WOMAN ARTIST:

  • Working without the pressure of success.
  • Not having to be in shows with men.
  • Having an escape from the art world in your 4 free-lance jobs.
  • Knowing your career might pick up after you´re eighty.
  • Being reassured that whatever kind of art you make it will be labeled feminine.
  • Not being stuck in a tenured teaching position.
  • Seeing your ideas live on in the works of others.
  • Having the opportunity to choose between career and motherhood.
  • Not having to choke on those big cigars or paint in Italian suits.
  • Having more time to work when your male dumps you for someone younger.
  • Being included in revised versions of art history.
  • Not having to undergo the embarrassment of being called a genius.
  • Getting your picture in the art magazines wearing a gorilla suit.

Guerrilla Girls.

Suicidal Mila

Lets get them. Go get them, girl. This story is for you, my dear Steve, she says to herself. You arrived at a good time…Steve - finally, someone to think about, to fantasize about. She knows that because he will not answer her e-mails, and will ignore the long texts she will spill all over her sent messages folder; it is just fine, comfortable. She will be able to write forever. Forever again. Forever number 3 and bingo my ass. He will be her thought recipient because he will never answer. She will never see, feel and taste his opinion. Not allowing her to know him, he tries to save her from indulgence, but she, capable of passionately loving anything that moves given the correct circumstances, is not easy to stop. Rare constellations occur every so often that allow her to open herself to love. She starts writing all over at this point.

She has thought of herself as a protagonist in a series for Sony, and seeks artificial situations that she considers crucial because of their weight as exaggerated human traits. She praises the conception of archetypes as phobias, in the sense that they attack you. Therapy was a pleasure for a while, but seeing the cost, the time and the fear she stopped.

If he had just written back once, Steve, I mean, she would have felt better, better painter, better mother, attractive at least. Had he written back once, she would have forgotten about him, and perhaps even gotten chubby out of happiness for not spending so much time in her favorite airless room: the platonic love glove compartment. An emotional space so tight that it becomes funny which is precisely the thrill, it is funny. She loves it, loves him, forever. Again. And there we go.

The thing is that dependants, kids, that is, gave her a sense of forceful happiness that rules out platonic romance for lack of time to weep or suicidal divas to be attractive. Of course she knows quite well killing herself is not an option but living without enthusiasm permanently or worse yet, having fits that jump back and forth between ecstasy and misery is.

He would have been ruled out after the first letter, but innocently, he accepted twelve years of harassment. Getting his attention is now a fun and pathetic game, one she profoundly enjoys playing. So, new excuse to write in hand, she pulls herself together and decides on her options.

Her third boyfriend post marriage-gone-rotten told her recently, and somewhat around the fact of having met Dear Steve that she was far too enchanting. This meant: Sweetie, shut up. She, of course, prefers solitude then mouth trapping boyfriend and suffers. She suffers and indulges without his help. She is indulgent at heart and fate has not yet disseminated her cure. She’s trapped and wants to be. Wants to die, wants to be, wants to die, wants to be, wants to die, all far too silly, for me. Dear Mila, Poor lonely nasty and lovely thing.

Sanity, equanimity, self-assurance, placidness and character are basic and the shit load of responsibilities makes her nervous. Too long, too much time ahead of her, too much to learn, too long a way to go. But there are all those books to publish, which must be, of course, written first, and where is he? Steve! there you are. Hi Steve. Allow me. Not that this is complaint time, a word that sometimes people use to describe the concept of self-questioning. No, not that, just mumbling, talking to you, Steve. Are you there? She will be aware of what has been going on when the image created by the taboo her parents represent stop being a pain at 34. Too old, poor girl. Silly thing. Country road in her thighs.

So, envy. That’s a good one. She would tell him everything. Writing to the void. “Caracas has a way of giving people an overblown ego with respect to art, to visitors, like those egos typical of the first World. It has to do with oil, we have tons of it and had a very quick social mobility for quite a few years” she would say, and “That’s no longer the case though, fortunately or not, hard to tell, but we decided to keep the French attitude”. She likes that about this city. Having lived in Toronto for a long time gave her a sense of belonging with this place that I doubt would have developed otherwise. She still longs for Toronto, she left good friends there and praises like gold her good memories from those years, but here is where she sees what she seeks. Overwhelming one more time. She doesn’t move forward easily. It is not simple to leave a city, to travel without culture shock awoken guilt. She is guilty, very guilty for loving what’s gone and wanting to die out of blindness where she loves what goes on. Guilt.

Her spot among the famous is not yet built and building it is too much work. What is Venezuelan and what is not, what matters about things like being from one place or another and what does not matter at all. Confusing ideas. Mila has no apparent control over these thoughts and that seems to be her problem. So she thinks. What matters and what doesn’t and therefore whether living is worth it or not is her thing.

Suicidal Mila. So, Steve, this text is for you. Mila speaking, the narrator is off. I turn her off. I turn her off whenever I need to. Steve read this text! Please do it, read it all! It has been written for you. She is so strong these things happen

Too much passion out of place. Most people’s problem is that very same. Too much passion, therefore anxiety, anguish, of course, remorse, guilt and thus revengefulness. Once hated the self flies away and egos come back with all answers. And I love Mila. Bye Steve, she says. No more for tonight. It is 5: 28 pm but this wine makes it tonight.

Suicidal Mila writes every night to someone she does not know. That is what makes her so sad but she cannot stop.

Mila’s partner is the nanny of her little daughter, sort of speak. That is the only real company she has is what I mean. I don’t even visit her as I used to anymore. Her place is a small and overcrowded apartment downtown Caracas, full of objects she collects, anything from metal junk she finds in the street to art her friends give her, o objects she considers would be good toys for her child. There she lives with her baby and a woman who helps her, she is Venezuelan and strongly believes she cannot do it on her own. There is always a different woman, they do not last longer than three months. Mila does not know what to look for in them in order to choose the correct and long lasting domestic help she requires for her mental health, or perhaps her mental health does not allow for her to establish a long lasting relationship with any of these women, I don’t know, but will not judge that either. Venezuela has a social system that doesn’t make it any easier. No social assistance from the State, close to slavery salaries for domestic employees, a terrible public transit service (Mila does not have a car and nor do the maids, of course), adverse conditions in general for the most basic and simple capitalist happy life this woman thinks she should be leading.

Her intellectual capacity is average. Although she is multitalented, she is not specially good in any of the things she does. She has dreams coming out of her pockets, forgotten, hopeful, promised, ruined and awaiting dreams, but never enough energy to insist on any of them, she changes them, abandons them. I know, here goes some judgement, but it is hard to speak of anyone without making them.

I met her a few years ago, we studied together, back then I had just arrived from Germany and she was the best student in class. She liked me from first sight and offered her help immediately, which, of course, I needed badly and thus boldly. Back then she wore her hair very long and very straight, her big brown eyes were hypnotizing, and her smile gave you a deep and irrational urge to cry. She captivated me. I gravitated towards her the minute I stepped in that classroom. Where is Mila or my day will not be the same? Would be my morning question, and then my body would just find her.

If I remember correctly, she lived with her boyfriend already, but certainly didn´t have kids because we used to go out a lot and that is something she never did again after giving birth. At least not while she was married. She is such a natural party animal that it would not surprise me to know that she left that man because he didn’t dance. And I do know she feels he nearly killed with guilt trips about good and bad behavior, when all she wanted to do was dance, and have drunk talks about philosophical theories she liked reading, to give them a name. She was very faithful to him, though, to the point it seemed ridiculous to me, I always though she should have tried something different, let herself go a bit. Julian, a classmate of ours who was madly in love with was unfairly banned from our group because he asked her one day for a kiss as payment for a silly bet. She liked him back but instead of enjoying the playful request, she stopped talking to the man to this day.

Things have changed since she left John, her husband. Last week Jamiroquai had a great concert and she came with me. Her friend Andrea came too as well as Paul, my boyfriend. Pablo and I lost each other for the first 6 or seven songs of the concert, and because I had just seen Irreversible, I ended up misreading his personality. I thought him capable of forgetting about me or leaving the agreed place of encounter out frustration for not finding me there immediately, so I moved, but also sent a false explanation as to where I was and Pablo went to the wrong place. Meanwhile I kept on imagining him dancing and not paying attention to my messages, which were getting gradually more and more desperate. It was Mila who calmed me down, she explained to me how I had lost perspective, told me about my paranoia and made me look at myself.

Pablowas very angry when we finally found each other that concert, and I was very sad, it took us at least 20 minutes to get back to normal, relax and enjoy the concert. And Mila explained it all to me. That doesn’t seem like the same woman who has not been able to stop thinking about the fact that she assisted Spencer Tunick and his crew by volunteering to help in the photo shoot he organized in Caracas - she translates well but says that that day she made a mess of herself- and did not do a good job. We saw each other after in 2 different art openings that same day and she was devastated. Later that week I went to an event around Luis González Palma, a photographer from Guatemala. The author of the text was there and Mila came with me because I translated the text of the catalogue and wanted to meet the New Yorker woman who had written it. Well, my dear Mila got drunk that day and made a mess of the situation.

I’m grateful Jamiroquai was good, and she was wise that day. Getting lost was a drag bad enough to ruin the concert, but I managed to dance at the end, and Mila’s insight still puzzles me.
I told her I really wanted Jamiroquai to take off his hat, it was so hot! But she laughed for a while and then said she didn’t know why we were friends. She should see that movie, irreversible, I’m still suffering its effects and if she is all of a sudden so wise, maybe she can help me deal with the memory of it. When Mila was about 5, a man came up to her on the stairs to her apartment - were she lived with her mother alone- a man who was not from that building, and who put his finger inside her vagina after having convinced her that he was not sure whether she was a girl or a boy and thus he had to see, Mila was frequently asked if she was a boy and wanted to proof she was definitely girl, so she let him touch her. This felt so uncomfortable that she quickly left and was pretty lucky because he let her go.

Mila is probably writing right now. She has surely told Steve how the concert was. The place was used in 70% of its capacity. And it made you wonder how many of the same people from the concert were naked downtown Caracas a week before. That would be an interesting statistic. Cultural entertainment? could that be the titled as such? Anthropological partying? Encyclopedic fun? I think for this last title you would need to add horse races or stock market. Anyway. Good night Steve. Sleep tight. Mila is the one who needs to write to you, but I’m in charge of saying so and you seem close enough already. I regret, however, that we didn’t meet. Mila showed me this letter a couple of days ago, and I didn’t have the courage to tell her I don’t think she should send a letter like that, I don’t know, but I feel worried about the way she is approaching you:

Dear, Steve:
The perturbing photo you sent me recently has made me think of paying you a visit in Miami. It is a shame that I don’t trust my instinct to such a degree. However, I do have the guts to tell you that if you were closer I would try to call you.
Thanks for the photo,
Mila

She likes you so much, I want to write to you myself. Her excitement is contagious. She has a taste for extreme situations. She always wants to look over the edge. Plain old sanity is no good enough for her, and madness would be too silly. She lives in the space in between. The character, boyfriend, obsession, whatever who was in her life before Steve used her to get rid of his girlfriend and Mila let him use her to get rid of her husband. Everybody was mistaken, everybody lost and everybody has changed since. Changing is best, so it is a good thing everybody is always mistaken.

Mila was so desperate a while ago about not being able to establish an efficient communication system with John, the father of her kid, that she decided to call for help. She called her father, of course. She couldn’t understand herself, her own feelings and was so confused as to who was right or wrong over a very delicate conversation about properties and custody she had had with her ex, that she felt the need for a referee and called the family priest, the man who baptized her, to ask if he could help her talk to John, not that she is very religious, but she does trust this man, she feels he is honest and that is more than she feels foe just about everybody else.

She ended up so frightened about the deficiencies of her memory and of her skills for discussion and defending herself that she took notes of everything she felt and thought about his behavior and her own for months before the first “dialogue” appointment.

Mila will never admit it, but she feels she failed in the most important project she ever had: her marriage. She invested her entire self as people do with money. She thought he was a bank account of affection but expected to see profit in the short term. Her husband, however, had long term plans for her investment and gave, as far as she could see, low interests and hardly any benefits at all. Out of such a calculation, nothing good can be perceived, so soon this amorous transaction fell to pieces and she is now struggling to cope with her emotional bankruptcy. Steve is the result. Letter sent out and turned into thin air, black holes of the heart. Paper in hand she went to that first date with the mediator and got so scared, she could not speak. I had to sleep over at her house the night.

The other day, there were the most horrible news. Three kids had been kidnapped and killed. Their chauffer was also murdered. It is an electoral year and everybody on the look out for political trouble. The incident with the three kids caused a commotion. People closed roads; there were public manifestation around the country. Mila took the whole thing personal. She felt, I guess, that there were mother of all ages, students, grandfathers, people eager to protest out on the street suffering before the cameras. I think Mila sees only a hint of what these signs might all mean, but perhaps feels their true magnitude in a way she cannot even begin to explain.

I read once that it was more spiritually intelligent to be lost than to understand it all. Perhaps Mila knows this and thus limits her efforts for comprehension to a degree I cannot fathom. I find it hard to understand why her thirst for knowledge is so shorthanded. She never reads the news because they seem monotonous and useless to her, but before a case as scandalous as this, she even gets dressed at 9 pm, strange phenomenon for her, and walks out of her house, leaving her daughter with a caretaker, to go protest twenty five blocks away out of borrowed grief. I don not get it. I of the stupid kind I guess.

When talking about her plans to meet with this third person and her ex husband to talk about her children, last time she asked me for an ear about this topic, Mila brought into the conversation the murdered kids. They were part of her arguments. She said she associates her apprehension about custody and daily routine agreements about her kids with her ex, with the same type of sensation she had while protesting: in my opinion, two very different things, if I’m honest. I adore Mila, she is a good friend, but her esoteric view of life sometimes seems to me to the very source of her unhappiness. Maybe if I had children I would feel different, but I doubt it.

That was Mariana speaking. Mila has three close friends: Mariana, who she sees every day, Paul, who is now dating Mariana and Justin, who she was once mad about but whom was not at all interested in any sort of romantic encounter with her. As things are, it is hard to tell if Mila and Mariana love or hate each other. They seem to be in love in a way, but they are ferocious rivals over Paul’s attention. Mariana almost fails to acknowledge Pablo and Mila were ever inseparably close buddies.

Pablo misses Mila as much as she misses him, but has to consider Mariana’s hidden, so she hopes, jealousy. Mila is the only one who actually expresses herself, but that is often the case because she is simply blunt on a permanent basis.

II

When Mila and I met I thought she was the most beautiful woman I had seen in years and got so excited about such a discovery that I approached her with friendly and very welcoming excitement. She responded falling “madly in love” with me and I was as much flattered as I was frightened. She was married yet trying not to be and finishing some novel about a platonic love she had been completely obsessed with. Back then Justin, her professor was the recipient of her passion, something we all know whether she admits it or not. I replaced this guy. So she started writing to me.

She has threatened me with a story she is supposedly writing, which of course I manifestly feel would not be a good idea and secretly cherish. Mixed feelings I guess. Anyway, Mila writes me but I date Mariana. Camila Carpio, 35, divorced, mother of a 3 year old daughter, painter at heart, translator, wit several undiagnosed psychological pathology wannabes, thus light disorders, writes to me everyday and I date her friend Mariana. A most uncomfortable situation I must say.

However, Mi la is so constant about the whole thing that it is easy to feel comfortable with it. About her, I have always felt though that her smoking habit is too much. When we met, she looked so healthy and beautiful that I would have never guessed she smoked and let myself gravitate towards her, gave her all that hope she plays with in her letters. But she smokes and have no understanding what so ever for the such a suicidal attitude, so that is how she began to show all the other things I would never be able to relate to about her. She also cries frequently and gats angry easily. Mila would hate me after a two months with me but would brake up with mw in three years, without showing what she felt, I would find out through a book, just like her husband. There is no way I would enjoy that and love is a thing to be enjoyed. This is why I have to find a way to stop Mila from writing to because she will drive Mariana away from me.

Pablo thinks about Mila as much as she thinks about her but for entirely different reasons.






domingo, 17 de junio de 2007

Paños húmedos

"La toalla huele mal"… tiene un par de horas pensando que debe escribir sobre el mal olor de una toalla como idea de apertura. A pesar de que le parece que el recuerdo olfativo es una "falsa ilusión” (cree saber que el texto no será más real si abre con una interpelación a la nariz) ella tiene un par de horas con esa idea fija. No se sienta a escribir porque la toalla mojada y olvidada en ese bolso no la convence del todo. Cuando por fin decide el entorno-contexto-estado-estadio-sentido del inicio del relato y agrega este asunto de la toalla, queda completamente inconforme y lo borra todo. Me lo acaba de confesar. Mamá está obsesionada con la escritura. Me pregunto si todos los escritores son así. Pobre gente.

Así vive sus días, pensando en sí misma. Se levanta y lo primero que hace es correr al espejo, luego trata de internarse en su computadora lo más rápido que puede después del desayuno que todos forzamos juntos. Pocas veces se sienta tranquila en la mesa con nosotros. Mi madre siempre está en esa computadora. A veces cuando no está, miro el lugar donde trabaja y me pregunto qué tanto gusto podrá encontrarle a pasar tantas horas sentada allí. Es completamente compulsiva en su forma de aferrase a esa sillita roja que la sostiene. No es que me oponga a esa sublimación que obtiene de la narrativa, pero no estaría nada mal que dejara de fotografiarse y nos hablara un poco a nosotros.

Tengo cinco hermanas mujeres hechas y maltrechas y un hermanito menor a quien aún le pega un poco la ausencia de esa presencia al otro extremo del cordón umbilical. Tuve que mudarme a esta casa nuevamente después un largo noviazgo con Canadá, se terminó la tranquilidad legal, dejé de tener energía para luchar con el paredón de extranjería y me regresé. Ahora estoy completamente single y vivo con mi madre y mi hermano Julio ¿Cómo iba a imaginar yo esta suerte de mierda cuando decidí quemar mis naves nórdicas? Pero bueno, ya vendrán días mejores.

Conocí hace unos seis meses a un escritor - ¿por qué justamente escritor? - que me quita el sueño cada noche. Todo el tiempo quiero saber qué estará cocinando en la misma hornilla donde cocina mi madre. ¿Qué montará en ese avión a Buenos Aires este domingo cuando se vaya? Me pregunto. También quiero saber qué está pensando y haciendo justamente ahora y sobre eso o más bien a él quisiera escribir yo. Me gustaría decirle que venga a buscarme para salir a cenar y luego irnos a dormir a su casa, pienso en eso todo el tiempo porque no me atrevo a hacerlo. Algo así tal vez impulsa a mamá a pensar en cosas como el mal olor de una toalla, tal vez son imágenes que sí le dan más realismo a su texto, después de todo, pues fantasías como las mías no hacen buenas historias, yo no podría ser escritora. Mamá debe ser muy sabia aunque no nos lo muestre a nosotros. Tal vez por pudor, “el conocimiento aísla” decía papá.

Yo no creo que sea tan sabia, por eso hablo de ese supuesto pudor, para darle glamour. Anoche soñó – y lo contó en el desayuno, con la mirada algo extraviada - que había una columna entre Ana Teresa Torres y ella, quien la había invitado a almorzar y le decía que su libro valía la pena, tenían entre ellas una columna que no les permitía verse bien (nada raro bajo el sol, considerando que nunca han sido presentadas). Dijo que veía mucho interés en el lenguaje corporal de Torres mientras le hablaba, que la sorprendía mucho. Nos contó el sueño a mí y a su amiga Emilia quien con frecuencia llega tempranísimo y quien no se rió del cuento del sueño. Yo sí. No sé qué tanto hace Emilia aquí.

Emilia no se ríe de esas cosas nunca, si sospecha que se ha aludido a un genital o a una costumbre social “impuesta” a alguno de los sexos, no importa cuál sea el símbolo o la conducta que uno mencione, la tipa salta, o en el mejor de los casos, es incapaz de reírse. Creo que el tema del género la perturba, se molesta, definitivamente hay algo ahí que no le gusta. Es demasiado jodida esa mujer, debe ser por eso que mi madre la venera y que la columna en ese sueño no le causó la más mínima gracia.

Mamá quiere iniciar un texto con el mal olor de una toalla ¡qué loquita es! y más loquita estoy yo por no caminar estas diez cuadras que me separan de unas sábanas complacientes. Lo que pasa es que es enamoradizo y yo muy vulnerable, además de enamorable de él. Nunca me ha gustado enamorarme, ya ni siquiera pienso en hijos, mucho menos logro imaginarme el éxito en el amor a largo plazo. Me quita el sueño, eso sí, pero no me lo imagino. He perdido toda la valentía con la que nací, sólo me quedan los miedos y la pasión, los puentes hacia la ternura pura se me han derrumbado, no me fío, me sequé.

Emilia, para dar un ejemplo de lo chimbo que puede ser el amor, cualquier tipo de amor, tuvo una travesura, desliz, torpeza, ajuste de cuentas, como quiera llamársele (yo me inclino por torpeza) con mi padre. Eso las alejó, gracias a Dios, por lo menos por algunos años, pero ahora que papá murió, pareciera que quisieran estar con él al estar juntas. Aunque se me acaba de ocurrir que cuando Emilia estuvo con mi padre, tal vez lo que quería era estar con mi madre y ahora que el hombre no está se puede. Quién sabe qué carajo encuentra ese par en esa amistad tan rara. A mí me saca la piedra.

Tal vez sea sólo que mi madre es una revoltosa antisocial insoportable y de ser éste el caso, es ella la que no le conviene a la pobre Emilia, pero dejaré que ese tipo de juicios los emitan ellas mismas y no le diré un coño a mi madre nunca sobre este asunto de la piedra afuera, es un poco feo aunque sea muy genuino. No soy homofóbica, pero no mi mamá. Además, no sé si quiero saber todo sobre mi madre, tal vez si lo hago termino atropellada. ¡Terror!

Mamá tiene una forma brutal de hablar y me gusta mucho que me hable así, me siento muy cercana a ella cuando lo hace. Mientras más cruda es, más me entrego a quererla. Papá decía que esto haría de mí una gran mujer, muy independiente. Menos mal que no llegó a verme regresar a casa a los 37 y sin dinero, estudios, marido, novia, hijos, amantes o logro alguno. Tal vez tenía razón y sí soy muy independiente pero no tanto una gran mujer. Vivo con mi mamá y mi hermanito y ellos me mantienen, así que no, no soy tan independiente, no me engaño, aunque haya logrado vivir sólita en el norte por tanto tiempo ni aprendí tanto.

Cuando Emilia dormía con mi padre, mi mamá le escribió a él una carta que un día por mala o buena suerte, no lo sé, encontré entre sus cosas. Yo buscaba el libro de Quino de mi infancia, uno que se llamaba algo así como ¿quién soy? o ¿quiénes somos? y que tenía a un señor con el rostro en blanco que perseguía sus facciones con una malla para atrapar mariposas. No encontré el libro, nunca más lo vi, pero hallé esta carta:

Hola, querido. Me salí un ratico del foro donde estoy y te escribo rápido desde una butaca incómoda del Lobby del hotel. Estoy molida por el aburrimiento de la conferencia y el sueño: llegué a Bogotá a las cuatro de la madrugada. Como te dije, dejé el alma en Caracas, contigo, junto a tu puestico en la cama que has decidido compartir con otra señora, con mi amiga. Así como en todas partes a donde voy, eres tú quien está en mi mente. Me preocupa tu testimonio de que yo no te había contado nada sobre a qué venía a Bogotá. Tal vez por eso, o cosas como esa, metiste a Emilia bajo mi sábana, no lo sé. En todo caso, vine a un congreso de crítica literaria ¿no te lo imaginaste? Pero sobre todo, a contactar varios de los grandes ligas la edición latinoamericana, están todos aquí y ninguno en mi cuarto de hotel, pero debería considerarlo dadas las circunstancias y mi sensación de derrota, un buen apretujón quizás me reconfortaría ¿me lees Antonio?
Vamos a ver qué pasa, si tengo suerte, coloco la novela nueva. Dinero, mijo, dinero. Te contaría más al respecto, pero estoy apurada (aquí cobran caro las ausencias) y me faltan otras cartas que escribir (por cierto, en otro momento que no tenga que dedicarle a la añoranza y el amor, te voy a pedir un favor; es sobre Julito, necesita unos zapatos para el fútbol y olvidé comprárselos, comienza las prácticas en dos semanas, luego te mando los datos).
Lo que me inquieta de no haberte contado nada (si es que en verdad no te había contado) es que yo, que soy mujer de extensos silencios, siempre me quedo callada y acumulo tantos que al cabo de un tiempo me da una enorme flojera "poner al día" a la gente de lo que me viene pasando. Ya tú debes saber eso, pero igual no sobra pedirte que me preguntes más sobre lo que quieras saber y no me lo cobres tan caro. Disculpa la inoculación, pero estoy celosa. De mi silencio al colapso, sólo falta un pasito, según parece, no me ayudes tanto si no estás seguro de qué es lo que quieres, porque yo sí sé colapsar y cinco muchachos piden un poco más estabilidad que eso ¿no te parece? Ayúdame. Déjame si quieres, pero colapso ni de vaina, no me des así los mensajes, Emilia era mi hermana, bestia.
Anoche en el avión, sobrevolando Los Andes, tuve muchas ganas de decir "todo p'al carajo, voy a decirle a Antonio que se vaya de una vez". Lástima y fortuna que nuestros compromisos me recuerdan que no todo está en mis manos. No he visto nada de la ciudad, aunque el cielo luce muy azul y la temperatura muy agradable, templada (alrededor de los 20 grados). Ya te iré contando. Te amo,

Josefina

Pobrecita mi mamá, pero, coño, no culpo al pobre Antonio tampoco. Recuerdo que cuando leí eso lloré mucho, no sé exactamente qué me hacía llorar, había tanto material para eso en sus palabras que no puedo elegir, pero lo cierto es que sentí un dolor parecido al que puede causar la muerte.

Imagino que anoche mi vecino de las prometedoras sábanas a diez cuadras conoció o se reencontró con una mujer realmente estupenda, linda, más linda que yo, por eso no llamo. Me gustaría contarle a mamá, pero sentirá que destruyó mi auto estima con su computadora y no le quiero hacer eso. Hablaré tal vez con Julio, a ver si aprende algo de cómo es que se trata a una mujer triste. Ojalá no sea demasiado tarde.

“¿Que le paso a mi muchachita? ¿Por que no vas a un internista?” me dijo mi padre un día, un día muy malo, recuerdo. “No a un psiquiatra – insistió - sino a un médico que te revise las hormonitas revueltas que tal vez estén alteradas. Creo que has estado un poquito así desde hace ya rato y no lo mereces porque eres demasiado espectacular”. Me llamaba “mi-niña-intensa”. Tenía razón, mi disposición para la tristeza es infinita. Me agobia. Papá era un hombre justo.

miércoles, 13 de junio de 2007


Amaneció fácil

El negroni es peligroso, me dijo Julio. Dos muertes en un mes y aún en pie con trabajo, hijos, aunque con ciertas fallas en la efectividad. Proyectos que llegan y se van. Sinopsis de películas que resumir y que ilustran un mínimo, suplen los libros no leídos. Suplen a medias y cero prensa, salvo por las notas que hay que traducir, notas de prensa que pagan la luz, el teléfono y el mercado, pero dan poca información o mucha, pero de pocos temas. Así pasa la vida en estos días. Con la angustia de una tesis y los transes alcohólicos, dignos de A and A, pero no, de uno, más bien, de uno solo. Y por ser controlado de manera empírica, sin la academia de la ayuda social, mal llevado, el alcoholismo.

El negroni es peligroso, me dijeron, y así me quedé “negroni peligroso” o “peyigoso” como dice mi hijo.

En este contexto, entre hielo y campari, quiero decir, me atrevo a compartir este cuento que es hoy. Amaneció fácil, todo el mundo en la cama y uno despierto ya. Luego el desayuno, la maleta, los niños para la playa y llegó la soledad. Las imágenes en loop de una tía que sufre, los recuerdos de la anticipación de la muerte. Los pensamientos fueron acelerándose, cobrando vida, y poco a poco se apoderaron del día. El dolor era el leit motiv. La angustia la guía. Otra vez. La angustia otra vez no es bueno porque cae la noche y uno no ha desayunado.

Pero el cuento es el siguiente: una clase de cine y una película sobre los desaparecidos de la dictadura argentina, una amiga con bebé que nos quiere visitar y un novio que nos causa celos y dos muertes en un mes, claro.

El hecho es que arranca un llanto como a las tres y media que no cesa hasta las siete y cuarto. Y una silla nueva no lo cura, una cena rica tampoco, no hay nada, el llanto y uno.

Total que salgo a la calle como a las ocho y me topo con Junior. Él carga una rosa. Me pregunta por los ojos hinchados y le digo que conjuntivitis por lo que me agarra miedo. Los niñitos han salido con su padre y sé que vienen en tres días, así que me tomo éste para el ocio y le invito unas cervezas a junior que se prolongan hasta las dos am, no sé cómo y mucho menos explicarlo, pero lo entiendo. El alcoholismo es así, indulgente. Junior carga una rosa desde temprano y de salida del bar vemos un tobo, el lo recoge y pone allí la flor que ya no es para quien era. Cuatro cuadras más allá el mal humor de ambos era una nube espesa y vemos gente en la acera. Él se les acerca y trata de gentilmente de darle la rosa a la única mujer del grupo pero uno de los hombres insiste en comprársela. Él se la vende ofendido y se da media vuelta.

Hoy fue un día pesado. Junior corre tras de mí, yo me quiero ir a mi casa y marcho con decisión y el hombre que pagó la flor alcanza a junior para levantarle el ánimo y le dice que fue un buen día, que en su tobo sólo quedaba una rosa y la vendió, que mañana las ventas serán aún mejores. Sin aliento y la mirada desconcertada se despide de mí y se va. Y hoy yo aquí con dos muertes en un mes y con la certeza de que el dolor lo aclara todo y también con la angustia de que eso es así.